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The alluring qualities of many nymph
imitations depend on the fact that the body of the
flies has many small excrescences, or appendices,
that will oscillate or vibrate when in the current.
Mainly, the work of these attributes is to reproduce
all those swimming or respiratory organs, which are
present on the abdomen and thorax of nymphs and that
generally contribute to render the preys more attractive
to the fish. By virtue of this fact, a great percentage
of imitations of young ephemeral and sedge is composed
with soft downs that are applied to the hooks with
the dubbing techniques.
The
dubbing techniques can be distinguished in two main
categories: in the first one you use of a special
wax, or resin, in order to fatten the thread. The
second one suggests to utilise an appropriate dubbing
spinner to form a loop with the thread, in which we
insert the materials for creating the hairy rope.
The difference between the two systems is that with
the wax dubbing, the bodies of the flies appear more
compact, while in the second case the artificial seems
fluffier.
For these different characteristics, the two techniques
are often requested for building the distinctive parts
of a nymph. An example of that is given by the dressing
of the Gold Ribbed Hare's Ear, one of the most known
and effective imitations of ephemeral at the nymph
stage, which is built with practically one ingredient
(the hare’s ear fur) applied to the hook with
the different dubbing techniques. This artificial,
not really young, but always appreciated by the anglers,
is a successfull pattern because of the great versatility
it demonstrates in every situation. In fact it can
be used as a nymph for deep fishing, applying a suitable
ballast structure to the hook, or as an emergent nymph,
building it on light wire hooks: in this case, the
fly can help us to tempt fish that are feeding just
below the water surface.
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Step 3:
With some turns of the thread, I tie in a piece of
fine copper wire; I wax a section of thread and distribute
a pinch of hare's ear hair over it. Next, with the
thumb and the index finger of my right hand, I compact
the dubbing. |
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Step 5:
I cut off a section of fibres from a grey goose feather
and tie it in in front of the abdomen, placing it
so that it extends backwards over the body. Next,
using the dubbing spinner, I form a loop with the
black thread and insert a pinch of hare's fur hair
into the loop, realising a fluffy dubbing . |
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